A few days are left until the Tokyo 2020 Paralympic Games begin and, in a bid to fight for inclusivity and end discrimination towards disabled people, the International Paralympic Committee (IPC), under the creative helm of agency adam&eveDDB, gathered a plethora of international organizations — including UN Human Rights, UNESCO, Special Olympics, and The Valuable 500 — and launched the #WeThe15 campaign. The title of the initiative refers to the 15% of the world’s population who live with a disability — the globe’s largest marginalized community forgotten by the inclusivity agenda. For these 1.2 billion people, access to basic human rights is limited and sometimes even non-existent, making it difficult for them to live.

The campaign sees 20 international organizations from the worlds of sports, human rights, policy, business, art, and entertainment uniting their forces for the same goal: That of placing disabled people at the center of the inclusivity agenda. #WeThe15, which aims to be the biggest ever human rights movement to represent the globe’s 15% disabled people, is led by the IPC and International Disability Alliance (IDA) which will work on engaging the government, businesses, and the public over the next ten years to initiate change for this group.

The ambitious effort includes a film by Pulse Films and director Sam Pilling and a global visual identity developed by independently-owned design studio Pentagram, with PR handled by FleishmanHillard, Porter Novelli, and Portland.

Shot in Bogota, Bangkok, London, Johannesburg, Milan, and Manila, the film will be broadcasted for the first time at the event’s opening ceremony. The two-minute-long video shines a light on some stereotypes this group has to face: They are either labeled as objects of pity, either tagged as superheroes. So, while the “pedestals are nice and the pity tolerated, we are not ‘special’,” the audience finds out from the video, “That’s not what it’s like. That’s not our reality.” But before the film comes to an end, viewers discover that “only when you see us as one of you — wonderfully ordinary, wonderfully human — only then can we all break down these barriers that keep us apart.”

Pentagram’s visual identity — outlined in a vibrant shade of purple, the international color of disability — for the #WeThe15 movement comprises a wordmark and a symbol by Harry Pearce and team and sonic branding signed by the studio’s partner Yuri Suzuki. The wordmark is implemented to ensure maximum visibility on social media platforms, while the symbol is just a visual representation of how 15% actually looks on a pie chart. In support of the initiative, athletes of the Games will carry the campaign’s signature as temporary tattoos on their skin. The audio identity was developed following several techniques so that hearing-impaired people can experience it as well.

IPC President, Andrew Parsons, said: “WeThe15 aspires to be the biggest ever human rights movement for persons with disabilities and aims to put disability right at the heart of the inclusion agenda, alongside ethnicity, gender, and sexual orientation.”

“Sport, and events such as the upcoming Tokyo 2020 Paralympic Games, are hugely powerful vehicles to engage global audiences. By partnering with Special Olympics, Invictus Games, and Deaflympics, there will be at least one major international sports event for persons with disabilities to showcase WeThe15 each year between now and 2030. These sports events add great value to the campaign and underline the hugely positive impact sport can have on society. I strongly believe WeThe15 could be a real game-changer for persons with disabilities,” Parsons added.

Mat Goff, CEO at adam&eveDDB, said: “WeThe15 gives a voice to the biggest unheard group in the Inclusion agenda. This Tokyo 2020 launch campaign is just the start of a movement that will drive real change for over a billion people worldwide. The more brands and organizations and people that get involved in this movement, the louder that voice will be and the faster the change will come.”

To mark the campaign’s launch, a total of 125 iconic landmarks on six continents lit up in the color of the initiative on August 19. Dozens of brand partners also joined the campaign, with companies such as Allianz, Coca-Cola, Facebook, Twitter, Intel, BP, Visa transforming their logos and their campaigns to become 15% purple.

Credits:

Client: International Paralympic Committee

Agency: adam&eveDDB

Project: WeThe15

First Air Date: 19/08/21

Chief Creative Officer: Richard Brim

Global Creative Director: Laura Rogers

Campaign Creative Team: Edward Usher and Xander Hart

Film Creative Team: Selma Ahmed and Genevieve Gransden

Social Director: Sophie Chaytor-Grubb

Social Media Manager: Matthew Osbourne

Creative Technology Director: Hash Milhan

Deputy Head of Production: Jack Bayley

Agency producers: Rebecca Holt, Hannah Needham

Integrated Assistant Producer: Richard Bailey

Senior Project Manager: Alice Southam

Head of Planning: Will Grundy

Strategy Director: Claire Strickett

Senior Planner: Sarah Benson

Joint CEO: Mat Goff

Managing Partner: Polly Dedman

Business Director: Louis Lunts

Account Directors: Charlie Simpson, Charlotte Ellison, Rosie Snowball, Pablo Arango

Account Manager: Irina Patrichi

 

Clients

 

Chief Brand & Communications Officer: Craig Spence

Head of Brand and Engagement: Natalia Dannenberg-Spreier

Head of Communications: Phil Dorward

Brand Campaigns Coordinator: Elliot Forward

Digital Partnerships Manager: Mariel Avalos

Designer: Tanja Aurand

Brand Campaigns Assistant: George Doman

Campaign Consultant: Dana Robinson-Slote

Head of Partnership Services: Nael Ogden-Smith

Partnership Services Manager: Kiriah Crane, Fiona Sanna

IPC Board Member: Juan Pablo Salazar

Broadcasting Rights Manager: Daphne Chan

 

Branding and Design

 

Design agency: Pentagram

Partner: Harry Pearce

Graphic Designer: Johannes Grimmond

Graphic Designer and Animator: Tom Walker

Production: Daren Howells

Graphic Designer: Romilly Winter

Graphic Designer: Richard Clarke

Project Manager: Tiffany Fenner

Project Manager: Jane Kemp

 

TV Production

 

Accessibility, Disability and Inclusion Consultant: C Talent

 

Production Company: Pulse Films

Managing Director and Executive Producer: James Sorton

Executive Producer: Lucy Kelly

Executive Producer: Davud Karbassioun

Producer: David French

Director: Sam Pilling

DOP: Alex Barber, Chloë Thompson

1st AD: James Sharpe

Casting Director: Anna Stark

Production Manager: Kishan Patel & Tom Nutting

Production Assistant: Ellie Saunders Wright

Location Manager: Rupert Bowkett

Production Designer: Beck Rainford

Costume Designer: Hannah Hopkins

 

Service Production in South Africa: Gathouse Commercials

Executive Producer: Beverley Wynne

Line Producer: Karin Tanchel

DOP: Shaun Harley Lee

1st AD: Jaco Nel

Location Manager: Bhut Gladstone

Art Director: Willow Howell

 

Service Production in Bangkok: Indochina Productions

Executive Producer: Nicholas Simon

Line Producer: Atrachariya Pinitsanpirom (Bird)

DOP: Nicholas Axelrod

1st AD: Napon Limsomwong (Kwan)

Casting Director: Sarawanee Yodnoon

 

Service Production in Milan: Pulse Films Italia

Executive Producer: Giorgio Testi

Line Producer: Giulia Negretto

2nd Unit Director: Tobia Passigato

DOP: Diego Indraccolo

 

Editing Company: TenThree

Editor: Ellie Johnson, Liam Bachler, Elyse Raphael

Post Production: Untold Studios

Grade: Simon Bourne at Framestore

Post Producers: Tomek Zietkiewicz

 

Audio Post Production:  750mph

Audio Engineer:  Sam Ashwell, Mark Hellaby

Audio Producer: Kirsten Troy, Martin Critchely

 

Music Company: Soundtree

Music Supervisor: Jay James & Neil Athale

 

Transcreation

 

Head of Language: Sarah Mrowicki

Senior Transcreation Account Manager: Veronica Viudas Garcia

Transcreation Account Manager: Maria Dilena

 

Adaptation Production and Supply

 

Adaptation Agency: cain&abel

Managing Partner: Mike Turnbull

Account Director: Theo Tsangarides

Senior Production Account Manager: Sophie Duncan

Account Manager: Kate Morrow

Producers: Rachel Lodge, Nicola Shanks, Mandy Amoah, Charlotte O’Reilly

Senior Producer: Laura Frischke

Editor: Adrian Scanlon

QC: Stuart Moore, Chloe Maudsley

 

Post Producer: Olivia Hards

Senior Post Producer: Martina Trlik

Resource Manager: Aleksandra Bulkowska

Creative Lead: Tom Lockwood

Edit/Animator: Gabi Mascarenhas, Meena Ayittey

Researcher: Beth Hill

 

Head of Production: Marc Dolby

Print producer: Jay Tijani

Senior Integrated Producer: Gareth Evans, Matt Thompson

Studio Artworker: David Pluckrose

+ the cain&abel studio and QA teams

 

PR

 

PR Agencies: FleishmanHillard, Porter Novelli and Portland

 

Media

 

Media agency: Omnicom Media Group